Venetian Letter

Gábor Bindics studied cultural management at the University of Pécs and alternative energies at the Budapest University of Technology. He worked at the National Portrait Gallery in London and founded a silent cinema in Paris. He is the founder of the Cultural Centre Dunaj and the Švihaj Šuhaj cycle courier service. He is currently leading the project of the Old Market Hall in Bratislava and working on the project of reopening the Grössling Baths.

Michal Matlon:  Gábor, you said that what interests you the most is how spaces impact social life. Could you tell us when you first realized that spaces could have this impact? What made you think about it?

Gábor Bindics: Fifteen years ago, I was living in Paris. Together with my friends, we set up a cinema in the center, near the Luxembourg Garden. We found an unused space and looked for its potential. But to see this potential, we first had to understand the space well.

An architect usually responds to such an understanding with architecture. But I was interested in how we could work with this space without adding mass. That’s when I started reading about the philosophy and sociology of space.

Marie Hesseldahl Larsen is a partner at 3XN / GXN and Head of the office’s dedicated Interiors team. Marie has extensive experience with the competition department, developing conceptual designs and large-scale competition projects – primarily for offices, as well as cultural, hospitality, and public buildings. Marie looks to integrate behavioral insights and sustainable techniques from GXN into her projects and has led the Interior design team in a range of ambitious projects in Denmark and abroad.

My Lunsjö is a behavioral specialist in the behavior design unit at 3XN / GXN. She is an architect by training, with an additional master’s degree in environmental psychology. My works closely with the 3XN architectural teams to inform design processes with her insights from the field of architectural psychology. Her aim is to increase the health and well-being of those who use the architecture by focusing on aspects such as sensorial experiences, and the influence of light and colors on the perception of space.

Michal Matlon: My, we met a few years ago at a conference in Prague. At that time, you were working for the City of Copenhagen. Tell us a bit more about your background.

My Lunsjö: I have an architectural background, but I also have a master’s degree in environmental psychology. My thesis focused on implementing research in the architectural design process and bridging the two fields.

Research is often text-heavy and not so hands-on. Architecture, by contrast, is a craft based on intuitive experience, and the way of working is more fluid. So, I make a connection between these two worlds. Now I work with Marie at 3XN, an architecture studio, and at GXN, their innovation department.

Class 2020 of the 40 under 40 lighting designers, Martina works with the goal of implementing psychological and biological responses to architectural planning. Her research ‘A Beautiful Light’ investigates the use of artificial lighting in support of restorative attention.

Currently, she is working as Lighting Designer, for the Portuguese lighting design & engineering studio WhitePure and is also part of the interdisciplinary team of Impronta, specializing in translational research from neuroscience and behavioral sciences to architectural design. Martina is involved in various educational projects like the Women in Lighting, Designers Mind and the Beauty Movement.

Natalia Olszewska: Welcome, Martina! To start, tell us, how did your journey combining light design and psychology start?

Yodan Rofè is an architect and urban planner with over 20 years of professional, teaching, and research experience. He was the founder of the Movement for Israeli Urbanism and served for five years as the Head of Urban Design at Israeli Ministry of Construction and Housing. 

His research interests include building processes and structures of informal settlements, urban form and movement, accessibility and equity, cognition and feeling in the built environment, as well as public space and street design. 

Together with Allan Jacobs and Elizabeth Macdonald, he wrote The Boulevard Book published by MIT Press. Together with Kyriakos Pontikis, Yodan edited the book In Pursuit of a Living Architecture: Continuing Christopher Alexander’s Quest for a Humane and Sustainable Building Culture, published by Common Ground Publishers.

Natalia Olszewska: I’d love to understand your connection to Christopher Alexander. Could you tell us about meeting him and his influence on you?

Anders is a real estate development and construction manager with 7 years of experience in people-first, master plan community development. He studied urban planning and development at the University of Southern California and now leads construction for Culdesac Tempe. Previously, he served as a development manager at the Housing Authority of the City of Los Angeles.

Anders: I read your interview with the Neutras talking about the need for more idealistic developers. I’m intimately familiar with how difficult that’s still to find nowadays.

Michal: When have you decided you are going to be one of those enlightened developers?

Anders: Growing up in metro Detroit, the home court of automation, I grew up around a place that was strongly influenced by GM, Chrysler, and Ford lobbying powers through the 20th century. The area had as little public transit as possible, buses with 30 or 60-minute headways, no rail system to speak of, and complete dedication to the automobile.

Andrea Jelić is an architect, researcher, and educator working at the intersection of architecture and enactive-embodied cognition. Her research explores how the built environment affects the lived-living body. Dr. Jelić is an Assistant Professor in Space for Healthy Organizations at KU Leuven, within research groups Research[x]Design (Dept. of Architecture) and Building Physics and Sustainable Design (Dept. of Civil Engineering).

She is an Advisory Council member of ANFA—Academy of Neuroscience for Architecture and a faculty member in the Master’s program “Neuroscience applied to architectural design” at IUAV University of Venice. Her main research interests include the interplay between spatial design, organizational dynamics, well-being at work, social sustainability, and (learning to) design for the diversity of bodies and user experiences.

Natalia Olszewska: I came across your Ph.D. dissertation on neurophenomenology and architecture during my studies. It has great depth and it’s probably one of the best works you can find on this topic today. What made you interested in it?